• Accessibility

    Font sizing
    Contrast
    Monochrome

    Sign up to ITMA Archive

    Signing up to the ITMA archive provides the ability to save content you find across the site and access directly from your own dashboard.

    Register now

    Reset Password

    Login

    Donate

    The Irish Traditional Music Archive (ITMA) is committed to providing free, universal access to the rich cultural tradition of Irish music, song and dance. If you’re able, we’d love for you to consider a donation. Any level of support will help us preserve and grow this tradition for future generations.

    €10

    Help ensure that the well of Irish music, song and dance is preserved for present and future generations.

    €20

    Donations of any level help ITMA digitise, preserve and offer free universal access to valuable materials that would otherwise be lost.

    €100

    The support of donors ensures ITMA can deliver an increasingly better service. Without private support, the transformative year we experienced in 2023 would not have been possible.

    €200

    Make your donation go further: a donation of €250 or more in any tax year is worth an additional 44.93% to ITMA. So for €50 more, ITMA can claim an additional €112.33 tax back from revenue.

    €250

    Irish-based donors can see their donations augmented by the State through the CHY3 form, which makes any donation above €250 worth €362.33 towards ITMA’s archival work, at no additional cost to you.

    €500

    ITMA is eligible for 501(c)3 donations, so for potential donors based in the USA, donating to ITMA can be a tax efficient way of making more and more archival material accessible to remote users.
    Port
    Previous Next
    Home > Port

    The rose of Lough Gill, jig. No. 2

    Port
    Source Paddy O’Brien Tune Collection
    Key Signature e minor
    Time Signature 6/8
    Number of Parts 2
    Tonic E

    The rose of Lough Gill, jig. No. 2 / Paddy O'Brien, accordion

    0:00 / 0:00

    I was given the old title of this from John Kelly, who left me with a firm reminder that I was never to call it anything else. It was first recorded on one of Michael Coleman’s 78 rpms, but my introduction to learning it was while playing with fiddler Sean Ryan when we were practicing selections in preparation for our 1968 American tour.

    Download PDF
    1 Text • Currently viewing:

    The rose of Lough Gill, jig. No. 2

    Could not load ABC notation.