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During February, ITMA had the pleasure of welcoming its first Transition Year (TY) students for 2020 through its doors. TY is a one-year programme for second-level students in Ireland which includes an opportunity to experience working life, and help with subject choices for the Leaving Certificate cycle.
During the week the group was mentored by ITMA Assistant Librarian Róisín Conlon. After a week in ITMA she asked musicians Niamh McGrattan, fiddle, Aoileann O’Connor, fiddle, Naoise Ní Ghríofa, concertina, and Róisín Ní Chasaide, fiddle, to recount their personal highlights, and the collaborative projects they undertook, including recording a tune for Mary Bergin!
L-R: Aoileann O’Connor, Niamh McGrattan, Róisín Ní Chasaide and Naoise Ní Ghríofa in the ITMA studio
agus rinne mé seachtain taithí oibre mar pháirt don idirbhliain san ITMA. I play the fiddle, sing sean-nós, and play the piano. I’ve been playing the fiddle since the age of four.
Traditional bands and soloists such as Steve Cooney, Martin Hayes, Liam O’Flynn, and composers like Seán O Riada, have had a great influence on my own playing. My father, Odhrán Ó Casaide, teaches me a lot of my traditional tunes and explains the history and culture of traditional music and the great Irish players that date back to O’Carolan, the Belfast Harp Festival, and Bunting.
The work experience in ITMA was very enjoyable and I learnt a lot in the space of a week: ag eagrú sa leabharlann, ag catalogú, ag seinm séiseanna nua le na cailíní eile – agus thaifead muid iad- agus ag eagrú ephemera ó Chontae Aontroma.
Bhí sé an-suimúil agus bhain mé sult as, bhí gach duine an-deas agus cabhrach chomh maith. — Róisín
L-R: Niamh McGrattan, Naoise Ní Ghríofa, Aoileann O’Connor,and Róisín Ní Chasaide, in the Special Collections Room
agus rinne mé seachtain anseo san ITMA mar phairt do thaithí oibre don idirbhliain. I play the fiddle and concertina.
I enjoy listening to Irish music, especially fiddle playing and uilleann piping. Michael Coleman, Séan Keane, Frank O’Higgins, Noel Hill, Séamus Ennis and Lad O’Beirne are some of the musicians that influence me.
My family are all very encouraging, especially my grandad Mick O’Connor, as he always shares rare recordings and shows me old photographs of musicians from the older generations. Liam O’Connor has taught me a lot of my repertoire and is a great teacher and influence on me.
I attend a good few Irish music festivals during the summer including Scoil Samhraidh Willie Clancy, Scoil Acla, Meitheal and fleadhanna.
D’fhoghlaim mé conas catalógú a dhéanamh, cúrsaí eagrúcháin sa leabharlann, ag eagrú póstaerí ón am atá thart, ag éisteacht le go leor ceol. — Aoileann
and I’m a fiddle player from Clondalkin, Dublin. I began playing music because my Mam and most of my Dad’s family play various instruments.
I started to learn the fiddle when I was 9 years old in the Cobblestone Pub with Jackie Martin, and later on with Liam O’Connor. As well as lessons, in the summer I go to music summer schools such as the Willie Clancy Summer School in Clare and Scoil Acla in Achill Island. It’s great listening to musicians such as Michael Coleman, Kevin Burke, Tommy Peoples and more.
I went to ITMA for a week for work experience. It was really interesting to learn about the archive and how everything works. During the week we did cataloguing, CD and book shelving, ephemera sorting and we recorded a tune using the archive’s filming equipment.
All in all, it was a great week and I really enjoyed it. — Niamh
As you know the Archive is hosting three special concerts in the National Concert Hall to celebrate the donation of the Liam O’Flynn Collection to ITMA.
As part of the preparations ITMA Director Liam O’Connor would like to put a spotlight on some of the hidden gems that have been uncovered in the Liam O’Flynn Collection. One of the most noteworthy discoveries comes in the form of two previously unpublished jigs composed by Liam O’Flynn The Return of the Pedalboard and The Piper’s Stone. ITMA Archivist Maeve Gebruers has shared news of the collection including Liam’s compositions in the latest issue of An Píobaire
Among the Liam O’Flynn papers are a number of original compositions by the piper. Working in collaboration with Na Píobairí Uilleann, ITMA is delighted to publish two of Liam’s compositions for the first time in this edition of An Píobaire. Contextual notes in O’Flynn’s own words accompany each tune.
Maeve Gebruers, ‘Liam O’Flynn collection in ITMA’, An Píobaire 16, no. 1 (2020)
© Liam O'Flynn The return of the pedalboard
In order to make the material even more accessible Liam O’Connor decided to make a recording of these compositions and circulate it to the artists taking part in the concerts as an inspiration for their set lists But, who would ITMA task to create the recording for Mary Bergin and the other performers?
Of course he left it in the very capable hands of our four TY musicians! The ladies embraced the task with enthusiasm and precision, and the proof is in the playing.
And so here we proudly present Liam O’Flynn tunes The Return of the Pedalboard and The Piper’s Stone played by Aoileann O’Connor, fiddle, Róisín Ní Chasaide, fiddle, Naoise Ní Ghríofa, concertina, and Niamh McGrattan, fiddle. Recorded at the Irish Traditional Music Archive, January 2020.
