Search

 

Francis Joseph (“Frankie”) Nash (1908–1976)

Nlresize Frankie Nash
Frankie Nash plays the whistle for a party in Dermot and Rita Roche’s house in Branch, ca. October 1975 (photo courtesy of Aidan O’Hara; used with permission).

Francis Joseph Nash was a musician and fisherman. The father of six children, he became a widower at a young age. Frankie, as he was more commonly known, lived his entire life in Branch. His mother, Annie Collins, was the source of much of his music. Originally from southeast Placentia, she received an education that included voice and organ lessons from the Presentation Sisters in Placentia. When she came to teach in Branch, she met and married Frankie’s father, Johnny Nash.

Annie passed on her musical gifts to her sons: in addition to acquiring a vast repertoire of songs, Frankie learned to play the tin whistle and flute; his brother Patrick could play the harmonica. Frankie lived at a time when there were many good singers and musicians in Branch. In addition to the songs and music handed down from Annie, Frankie picked up his music from other members of the community.

Frankie was generous about sharing his music and songs, both with members of his community and with visitors. Collector/performers like Anita Best and Pamela Morgan have recorded songs learned from Frankie. Shortly before his passing, Frankie performed with the band Ryan’s Fancy in a performance that appeared as part of a CBC documentary that was dedicated to his memory. In recognition of Frankie’s musical contributions, members of his community have erected a headstone with the inscription: “Let there always be a song for him to sing.”

Frankie’s granddaughter, Stephanie, is now the bearer of his musical legacy. At the age of 17, she released a CD titled, “Holdin’ On,” an album of traditional songs from Newfoundland and Ireland. She continues to perform at community events and in church services.

To commemorate the 40th anniversary of Frankie’s passing, Stephanie recorded one of her grandfather’s favourite songs, “The Mountains of Mourne.” She sings a duet with her late grandfather with the aid of a field recording of Frankie singing in his kitchen, a performance that spans the space of more than 40 years and demonstrates how song traditions continue to be handed down. 


Listen

Only a face in the firelight / Petchie Nash & Frankie Nash

Get the details

Only a face in the firelight / Petchie Nash & Frankie Nash

Only a face in the firelight, song (I was seated one night by the hearthstone ...) Written by American composer Charles Shackford, this song was recorded by tenor James McCool in 1904 (Victor 2732). This sentimental song describes someone dreaming of a deceased lover while slumbering by a fireside.

Me and me chum Johnny Riley / Frankie Nash

Get the details

Me and me chum Johnny Riley / Frankie Nash

Me and me chum Johnny Riley, song  (One day as we went out for a walk …) Written by Newfoundland songwriter Johnny Burke (“The Bard of Prescott Street”), this song tells the story of two friends who share everything. While songs about a character named Reilly/Riley are popular in Ireland, England, and throughout North America, this song originates in Newfoundland (Partyka in Narváez 2006:11).

This is east / Frankie Nash

Get the details

This is east / Frankie Nash

This is east, song (This east and this west; soon I’ll learn to say the rest …) This short children’s song is told from the perspective of a ten-year-old, bragging about all of the things he’s learned.  Frankie Nash learned this song for a school concert when he was only ten years old. He claimed that Aidan O’Hara was the first person outside of Branch to hear it.

The shores of Grand Lake / Frankie Nash

Get the details

The shores of Grand Lake / Frankie Nash

The shores of Grand Lake, song (One night as I sat in my own cozy corner …) This labour song describes the practice of subcontracting (“subbing”) in the lumberwoods of Newfoundland. The lyrics protest against the poor pay and conditions endured by woodsmen, specifically mentioning the Anglo-Newfoundland Development Company (“AND Company”) (Partyka in Narváez 2006:10).  This particular version seems to be a fusion of two related songs: its melody is that of “The track to Knob Lake” by Albert Roche (Roud Number 9811) and its lyrics closely resemble those of “Twin Lakes” (Roud Number 17693).

Lonely Banna strand / Frankie Nash

Get the details

Lonely Banna strand / Frankie Nash

Lonely Banna strand, song (Being on a Friday morning all in the month of May ...) This song tells the story of an incident that took place in the lead-up to Ireland’s 1916 Easter Rising. Sir Roger David Casement (1864–1916) attempted to gain German support for a rebellion against British rule. Due to a series of mishaps, the Irish rebels never received the arms that the Germans attempted to supply. Casement was arrested, tried for treason, and executed for his part in the plot.  Aidan O’Hara speculates that Frankie Nash probably learned this song from a Newfoundlander who served alongside an Irishman with nationalist sympathies at the end of the First World War. Many Newfoundlanders served in the British forces.

Cock-a-doodle-doo / Frankie Nash

Get the details

Cock-a-doodle-doo / Frankie Nash

Cock-a-doodle-doo, song (One morning after breakfast taking a bit of the walk …) This comic song about a rooster is full of sexual innuendo. It tells the story of a man who buys a cock while out for a walk, and the variety of encounters that ensue.

The mountains of Mourne / Frankie Nash & Stephanie Nash

Get the details

The mountains of Mourne / Frankie Nash & Stephanie Nash

The mountains of Mourne, song (Oh Mary this London's a wonderful sight ...) William Percy French (1854–1920) of Co. Roscommon wrote the lyrics to this song around 1896 on a postcard that he then sent to music-hall composer William Houston Collison. The song tells the story of an Irishman working away from home in London, recounting both the strange things he sees and his longing to be home. Newfoundland song scholar Anna Kearney Guigné writes: “The song’s mass appeal may be attributed more to modern media than tradition. The song was popularized by the Australian tenor Peter Dawson (1882–1961)” (2016:274). Dawson’s recordings apparently were in circulation in at least some Newfoundland localities.  To commemorate the 40th anniversary of Frankie Nash’s passing, his granddaughter, Stephanie Nash, used a field recording of Frankie singing “The Mountains of Mourne” in his kitchen as the basis of her version of the song. Her version, recorded in 2016, overdubs the original field recording.


Biographical Information

Courtesy of Stephen Nash & Stephanie Nash-Pearce