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Caroline (“Aunt Carrie”) Brennan (1892–1994)

Nlresize Caroline Brennan And Family
Caroline Brennan and her family standing outside her house in Ship Cove with visitors. Left to right: Joyce O'Hara, Caroline Brennan, Lucy Nash (née Connors), Virginia Ryan (née Preston). Front row: granddaughters Paulette & Caroline Nash (photo courtesy of Aidan O’Hara; used with permission).

Caroline Mary Brennan (née Nash) was born on 17 July 1892 in Branch. All of her people were descended from Irish immigrants to Newfoundland. Her mother’s people founded Ship Cove with a land grant from the Saunders & Sweetman Company. And during the 1840s, her paternal grandmother, Brigid Power (known locally as “Irish Biddy”), was among the last of the emigrants brought out from Ireland by the Sweetman Company. Brigid worked in the Sweetman fish plant in Placentia when she first arrived in Newfoundland. She later married Paddy Nash of Branch. Many of Caroline’s songs were handed down from her grandmother. 

Caroline’s parents, Bernard Nash of Branch and Mary Tobin of Ship Cove, had eight children; Caroline was among the youngest. Aidan O’Hara noted of Caroline and her family:

All of her family were singers, and each had a wide repertoire of songs. Caroline’s repertoire included several songs about the 1798 period, and included ‘The Shan Van Vocht,’ ‘The Croppy Boy,’ ‘Carroll Bawn,’ and ‘Pat Brady.’ She also sang what she called her ‘Waterloo Songs,’ most of which were about the time of Napoleon ... 
She also sang what she called ‘ditties’—humorous songs—most of which she was reluctant to sing because some of them were ‘a bit rough.’ After she sang a version of ‘The Jolly Tinker’ for me, she laughed and said, ‘God, I’ll be a holy show if they hear that’ … 
But many of her songs were local Newfoundland songs, and included accounts of drownings at sea. There was great poignancy in her singing of these songs, because her son Patrick, a merchant seaman, was drowned at sea (her other son, James, was only 18 months old when he died from German measles). 

Caroline left Branch in 1906 to take up her first post as a teacher in Point Lance. She was only 14-years-old and was responsible for teaching history, geography, reading, writing, and arithmetic to the children of the community. She also taught a bit of music so that the children would have something to sing in community concerts—songs like “Jack was a sailor.” 

She only stayed in Point Lance for six months, returning to Branch so that she could finish her own exams. Caroline took her next position as the school teacher in Ship Cove, a small fishing community with a school attended by 22 pupils. She taught there for five years, until she met and married Edward (“Neddie”) Brennan in 1914 and gave up teaching for married life and its responsibilities.

The way it was, that time, honey, there was nothing else ... Neddie was twelve years older than I was, an’ I was only young—an’ to give up my school-teaching an’ to get into fish-making, and weed the gardens, milk old cows, and the hardest kind o’ work ...
Caroline Brennan to Virginia Preston Ryan (quoted in Preston 1977:72)

Despite the hard work, Caroline continued to find time for her music. Locally, Caroline was known as a singer, fiddler, and organist. Her house was a favourite spot for sharing songs and stories, especially when Neddie or her brothers—all of whom had their own stores of music—returned from sea or a spell of working away. Caroline, though, was unusually well-educated for her time and possessed an uncanny memory for songs, stories, and information.

Any of the old people can tell you that. And they’ll tell you, too, that if it’s a song you’re after, ‘Mrs. Carrie has that one, sure. And she’s some hand to sing.’
Virginia Preston Ryan on Caroline Brennan (Preston 1977:69)

When she was older, Caroline’s appearances at the Newfoundland and Labrador Folk Festival attracted a wider provincial audience, not to mention attention from song collectors and local broadcasters.

Dermod McCarthy and Caroline Brennan, Ship Cove / Aidan O'Hara
Dermod McCarthy and Caroline Brennan, Ship Cove / Aidan O'Hara
Caroline Brennan outside of her house in Ship Cove, talking with Dermod McCarthy, director of the Radharc documentary, The Forgotten Irish (photo by Aidan O’Hara, August 1980; used with permission).
 
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Dermod McCarthy and Caroline Brennan, Ship Cove / Aidan O'Hara

Caroline Brennan outside of her house in Ship Cove, talking with Dermod McCarthy, director of the Radharc documentary, The Forgotten Irish.

Dermod McCarthy and Caroline Brennan, Ship Cove / Aidan O'Hara

Dermod McCarthy and Caroline Brennan, Ship Cove / Aidan O'Hara

© Aidan O'Hara

Caroline Brennan was well known throughout the Cape Shore for her kindness and compassion, willing to help anyone who found themselves in need. When her brother was left a young widower, she raised his son and namesake Henry. She also adopted two girls, Barbara and Lucy, from St John’s. As adults, Henry and Lucy married.

Caroline passed away on 15 June 1994, just before reaching the age of 102.

Nlresize Caroline Brennan Birthday
Caroline Brennan on her 88th birthday, seated with her favourite roses from her garden on the table (photo courtesy of Caroline Nash; used with permission).
Nlresize Caroline Brennan Birthday

Caroline Brennan on her 88th birthday, seated with her favourite roses from her garden on the table (photo courtesy of Caroline Nash; used with permission).

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Fain Waterloo / Caroline Brennan

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Fain Waterloo / Caroline Brennan

Fain Waterloo, song (It happened to be on a fine dewy morning …) This song tells the story of a soldier reuniting with his sweetheart. He tests her fidelity by leading her to believe that he died at the Battle of Waterloo. When she proves herself true, he reveals that he is her sweetheart by showing her the broken token that they shared.  Versions of this song are quite common in eastern Canada, including Newfoundland. Kenneth Peacock published a version in Songs of the Newfoundland Outports 3 (1965:1014–1015), as did Greenleaf and Mansfield in The Ballads and Sea Songs of Newfoundland (1933:172–173), under the title “The plains of Waterloo.”

The scolding wife / Caroline Brennan

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The scolding wife / Caroline Brennan

The scolding wife, song (I got married to a scolding wife about twenty years ago …) This broadside ballad is well known on both sides of the Atlantic (Guigné 2016:326). Though typically received as a comic song, it treats of a difficult theme: an abusive wife and the misery she brings on her husband.

The Blackwater side / Caroline Brennan

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The Blackwater side / Caroline Brennan

The Blackwater side, song (Ye lads of this nation of low and high station, I pray pay attention and listen to me …) Caroline Brennan introduces “The Blackwater side” with a story about her grandmother, “Irish Biddy,” and the time that she spent working in the Sweetman Company’s sail loft in Placentia. This was one of the songs that she sang to remember Ireland.  The song tells the story of a couple who court on the banks of the Blackwater. A variant version of “The Blackwater side” was collected by Kenneth Peacock in 1951 and published in Songs of the Newfoundland Outports 2 (1965:503–504).

The schooner Annie / Caroline Brennan

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The schooner Annie / Caroline Brennan

The schooner Annie, song (Young and old I pray make bold, and listen to my tale ...) Composed by Peter Leonard (1890–1964) under the title “Jim McCarthy,” this song recounts the story of a ship (the Annie) that left St John’s in 1915 with a cargo bound for Placentia Bay. The schooner was caught in a gale and, despite the best efforts of the crew, was eventually lost. The crew, however, was rescued by a passing ship, the Monarch.

Banna's banks / Caroline Brennan

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Banna's banks / Caroline Brennan

Banna's banks, song (As down by Banna's Banks I strayed one evening in May …) This 18th-century broadside ballad is more commonly known as “Molly Asthore.” Composition is credited to Wexford politician George Ogle (1739–1814). The protagonist of the song wanders by the shore (Co Kerry), thinking back on an estranged lover.  Caroline Brennan learned this song from her grandmother.

Jack was a sailor on board a whaler / Caroline Brennan

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Jack was a sailor on board a whaler / Caroline Brennan

Jack was a sailor on board a whaler, song (Jack was a sailor on board of a whaler ...) This children’s son features a sailor named Jack. A friend asks him to pay a debt, and Jack responds, “You’ll have to wait till my ship comes in.” When Jack later survives a shipwreck and his friend makes the same demand, Jack gives the same excuse.  Though the song follows a standard verse-and-refrain form, the metric structure of the song is somewhat unusual: verses are sung in triple metre and choruses are in duple metre, matching shifts in the narration from third to first person.


Biographical Information

Courtesy of Caroline Nash

Further Reading

Memorial University of Newfoundland. N.d. “Caroline Brennan.” MUN Libraries—Digital Archives Initiative

Placentia Bay Historical Society, and The Research Centre for the Study of Music, Media and Place. N.d. “Caroline Brennan.” Voices of Placentia: Songs, Stories and Tunes from around Placentia Bay.

Preston, Virginia. 1977. “‘The Old Ways are Goin’—They’re Goin’ Fast’: Some People of the Newfoundland Outports and their Songs.” BA thesis, Marlboro College, Vermont, USA.