This final batch of tracks from the recording session of Séamus O’Mahony in 1952, predominantly feature popular tunes like The Rambling Pitchfork, as well as pieces or set dances associated with dancing, such as The Blackbird and The Three Sea Captains. 

On the track featuring the well-known hornpipes The Kildare Fancy and The Harvest Home, O’Mahony’s intricate, dexterous left-hand is complimented by a fluid skilled bow-hand. His customary lavish tone and nostalgic vibrato is evident on his rendition of the song-air Teddy O’Neill. 

For those with very perceptive ears, listen closely to Bonaparte’s Retreat as O’Mahony seems to provoke an excited reaction from a canine listener around the one minute mark!

However, the most unusual item in this recording session remains Sarsfield’s March performed energetically here by the father and son combination. This unique setting was learnt from a travelling musician from Wexford who visited the O’Mahony household in Mitchelstown in the early 20^thcentury and it could possibly be termed a descriptive piece. 

ITMA was delighted to receive a copy of a manuscript belonging to Séamus O'Mahony in which a beautifully written transcription of this setting of Sarsfield’s March appears complete with piano accompaniment notated by traditional singer Máire Ní Scolaí (1909—1985). 

For those of you seeking more information on this remarkable fiddle player and his extraordinary life, ITMA would recommend reading Brendan E. O’Mahony’s memoir and reflections on his parents’ relationship The Last Word published in 2013.

This is the fourth and final blog in the series about Séamus O'Mahony. Please follow the links below to read more about, and listen to, previous recordings.

Séamus O’Mahony: A Hidden Gem in ITMA / “Caill‑taisce’ sa Taisce Cheol Dúchais Éireann

Séamus O’Mahony: A Hidden Gem in ITMA. Part 2 / “Caill‑taisce’ sa Taisce Cheol Dúchais Éireann. Uimhir 2

Séamus O’Mahony: A Hidden Gem in ITMA. Part 3 / “Caill‑taisce’ sa Taisce Cheol Dúchais Éireann. Uimhir 3

Written & Researched by:

Liam O'Connor

With thanks to:

Brendan E. O’Mahony, Séamus O’Mahony’s son, for permission to make an outstanding recording from 1952 available to the traditional music community. 

The O'Mahony Family for photographs used in this blog.

Kathy Mirza for her co-operation in 1998 in allowing ITMA copy the 1952 reel-to-reel recording of Séamus O'Mahony in the Fr. Killian Curran Collection.

Seán Keegan, DKIT, who kindly restored the recordings to concert pitch and to the speed at which it was originally played.

ITMA Staff.